Its scattershot structure gets at the truth of pop culture as an ineffable chimera that defines much of the world.
The film presents a deep investigation into the U.S. drug war with research as exhaustive as the list of negatives to describe the conflict.
There’s no denying the ways in which Eugene Jarecki’s film effectively weds rhetorical outrage to well-researched fact.
Jarecki’s new documentary is a rousingly aching piece of social analysis and commentary.
Because all the distinct directors were allowed complete creative autonomy, Freakonomics lacks for tonal cohesion.
The Cinderella of the anti-Bush documentary brigade, Eugene Jarecki’s Why We Fight arrives late to the administration-critiquing ball.