Review: Bird Box

It’s an imagination-starved redo of The Happening crossbred with a more malevolent strain of zombie-flick DNA.

Review: Arrival

Its searching images counterpoint the hyper-articulate methodology of its characters’ sense of uncertainty.

Review: Hours

Hours isn’t based on a true story, but it makes a considerable effort to convince us that it could have been.

Review: Final Destination 5

There’s a gallows humor to the death sequences that giddily invites our applause, but the film also wants us to be appalled by how and when death can come to us.