At Home at the Zoo, the last name Albee picked for one of his works, carries as much weight as one can ask of a name.
Over the past decade, MacKinnon has become an expert at staging the work of, arguably, our greatest living dramatist.
Robins’s 30-year career, with a new leading role season after season, is studded with indelible performances.
The relative quality of generational family abuse, a prominent motif in the play, comes through loud and clear.
Thomas is back on Broadway in the Manhattan Theatre Club’s revival of Henrik Ibsen’s An Enemy of the People.
Adjmi keeps his audience on its toes by constantly demonstrating how hysterical laughter can signal trauma.
When it comes to The Lady from Dubuque, “perhaps” is the operative word.
Without a doubt, this 2011 edition was the film festival experience of the year for me.
Somewhat misleadingly titled, Making the Boys functions in part as a clips-and-interviews biography of Mart Crowley.
Haunted might have benefited from more claustrophobic surroundings.
Seems we’re all of us susceptible, even this semi-lapsed Catholic boy, to the con of our beliefs.
Intensity exacted a high price, and Kim Stanley seems to have paid it willingly, even gloatingly.