The newest release of Christophe Gans’s cult film will leave you howling for something better.
This release of Rivette’s singular take on the story of Joan of Arc boasts an impeccable transfer of the new 4K restoration.
The Blu-ray highlights the intricate art direction, cinematography, and sound mixing that make the film one of boldest literary adaptations ever made.
Grasshopper Film’s shimmering 2K restoration is a revelatory treatment of this great film.
The film is further confirmation of Mia Hansen-Løve’s delicately devastating ear and touch as a filmmaker.
Mia Hansen-Løve suggests that the desire for fulfillment—of ideology through revolution, of true love through coupledom—is a cute illusion wasted on the young.
Criterion’s muscular packaging of the film is the antidote to summer-blockbuster overload you’ve been looking for.
Franju’s 1960 classic continues to represent a pivot point between classic and modern horror idioms.
As delightful as William Castle’s movies are in any venue, you lose out on one of their most appealing aspects when you watch them in the atomized privacy of your home theater.
Get your motors running. Death moves at 24 frames per second.
Holy moly, what a setup!
Self-critique or self-indulgence, Holy Motors isn’t afraid to attempt everything under the sun.
Criterion does right by Olivier Assayas’s lovely tone poem, his best film since Late August, Early September.
The film never leaves France, but it’s implicitly global.
The past may be decomposing, but the kids are all right.
The film begins as a dryly limp satire of corporate culture and ends as cruel and unusual punishment.
Not everyone’s cup of tea, The Milky Way is paved with heretical intentions.
The kooks in That Day tenderly cultivate their insanity as if tending to exotic flowers.
A cinematic jest so airy you only afterwards notice how macabre it is.
It’s a landmark genre film for the simple fact that it shows just how scary something as simple as a mask can be.