Review: Gerd Gemünden’s Continental Strangers: German Exile Cinema 1933-1951 by Clayton Dillard February 18, 2014 Gemünden’s extensive definition of “exile” draws on the likes of theorists Theodor Adorno, Edward Said, and Salman Rushdie.
Review: Noah Isenberg’s Edgar G. Ulmer: A Filmmaker at the Margins by Clayton Dillard February 10, 2014 Noah Isenberg embraces the biographic over the critical dimensions entailed in his chosen methodological approach.