The film exhibits the telltale signs of a series struggling to justify its existence.
This definitive package will be essential for both fans of the film and scholars interested in the transition of Old Hollywood to New.
Noah Baumbach’s The Meyerowitz Stories is a cunning and frequently hilarious film about exhuming the past and finding no diamond in the rough.
One of the most ambiguous, neurotic, and disturbing of all American films receives a revelatory new restoration.
The Program is flashier and more self-conscious than many biopics, but it’s ultimately just as hollow.
This Blu-ray of The Graduate is one of Criterion’s most ambitious—and comprehensive—single-disc releases.
The film evenly distributes its action in quick bursts of fluidly animated fight choreography.
It serves as one of the definitive American explorations of the weird and precarious relationship that exists between actor and director.
Jon Favreau’s film comes off as flippant in its view of independent labor as a universally liberating experience for an artist and businessman.
A subversive detective story, this atmospheric film is proven more so in Warner’s beautiful upgrade.
Ishtar finally hits Blu-ray, allowing everyone interested in revisionism the chance to engaged in some truly "Dangerous Business."
If you’ve followed the Up documentary series, you know that it catches up with a cross-section of Britishers every seven years.
Though sans bonus features, the playful macho burlesque of Dick Tracy still strikes a pose.
Anyone who’s worked with senior citizens will tell you how vital music is to them, but Quartet fails to capture that vitality.
Here’s a conspiracy theory for you: Ishtar is intentionally terrible.
Chimpanzee’s Oscar is but the latest filmic primate to captivate viewers.
Less interested in the fluidic facts of getting fucked that dominate teen sex comedies, the film wants to examine varieties of discomfort.
Go back to the first episode of Luck and you’ll see how much is made of a little goat (known for his giant testicles) that hangs out in Turo’s barn.
Sopranos director Allen Coulter gives us a taste of what the darker Luck many of us had been wishing for might have been like.
As in creator David Milch’s previous HBO shows, one of Luck’s central themes concerns the building of a community.