Terence Davies’s films often run on multiple kinds of consciousness.
Lots of folks go missing in the movies, and some of the most memorable are right here in this list.
Steve Coogan is brilliant…and has to still tell us so.
In Hitchcock’s peerless ’50s and ’60s work, the storytelling and visual style are so intertwined as to be indistinguishable.
Cagney is well worth remembering, and this set is a good start to a specific corner of his career.
Robin Weigert has the unenviable task of now playing the most famous character on Deadwood.
The only thing that doesn’t move in The Pajama Game is Doris Day’s scary butch hairdo.
The author struggle is heady not so much because of the physical roadblock representative in two directors taking the helm.
I’d like to presume that Lynde is removing lipstick from his teeth, and not Vaughn’s short curlies.
Frank Tashlin turns the central conflict into just the sort of half-cocked farce the scenario deserves.
Neither a Doris Day musical nor a ferocious James Cagney gangster film, Love Me or Leave Me is a fascinating hybrid.
This is a a morality play that only sees in black and white.
Love Me or Leave Me is painted in broad strokes, sometimes too obvious, but the actors lend a rich subtext.
The film casts Kirk Douglas as a selfish artist who gets his comeuppance, but it’s a theme that smacks of bullshit.