Johannes Roberts’s prequel ultimately remains buried by its indifference to unchecked corporate power.
As the film moves from one musical performance to another, the result increasingly feels like a series of celebrity impersonations set to a best-of-punk compilation album.
Terriers recalls an earlier tradition of crime story.
Charlie St. Cloud stars Disney robo-star Zac Efron as a high school graduate named Charlie who can see dead people.
The tortuous legacy of Jack Kerouac continues to trip up even the hippest and least glib of Neo-Beats.
The Lodger is so mired in ineptitudes that the weather is the least of its problems.
This is a complete disappointment for those familiar with the original game.
The film’s meticulously composed cinematography proves almost as inert as its star’s grimacing tough-guy routine.
A superior two-disc set for Zodiac aficionados desperate to drown themselves in even more facts, figures, and conjecture.
A borderline shameful image transfer makes this first DVD edition of Zodiac something of a waste of time and money.
Zach Braff is just about the world’s most insufferable comedic actor, and The Ex does nothing to diminish that reputation.
The film is backed by a solid character-based narrative foundation, as James Vanderbilt’s script never loses focus on his story’s human element.
The only recompense Mark Steven Johnson deserves for this latest schlocky comic-book translation is having his DGA card set on fire.
With Extras, co-creators Ricky Gervais and Stephen Merchant may have cracked the second novel problem.
There’s little respite from the bargain-bin cheesiness of The Groomsmen.
Finally, a romantic comedy that addresses the Terry Schiavo debate!