There’s something potentially erotic about nocturnal, and body-less, interaction with strangers even if the hotline isn’t overtly sexual in nature.
Sex(Ed) works well when it allows for the archival footage itself to tell its story.
Persistence of Vision is just as rhythmically inclined as the lost masterpiece it dotes upon.
These are two very different films about the avenues through which individuals feel fulfilled, or alienated, by those they consider close comrades.
Ungerer narrates the story of his tumultuous life with a mixture of hard-earned wisdom and youthful impetuosity.
The Tsunami and the Cherry Blossom mourns Japan’s devastation and celebrates the possibilities of its rebound.
Rarely has Werner Herzog seemed less capable of infusing a nonfiction inquiry with poetic depth than with Into the Abyss.
Dan Lindsay and T.J. Martin’s Undefeated doesn’t really contain much in the way of genuine surprises.
One of the final mysteries Werner Herzog evokes is what, if anything, albino alligators, who populate a neighboring arboretum, dream of.