Review: Arrival

Its searching images counterpoint the hyper-articulate methodology of its characters’ sense of uncertainty.

Review: Sicario

Jóhann Jóhannsson’s score is just one of many elements that conjure a relentlessly terrifying realm of despair.

Review: Enemy

Jake Gyllenhaal embodies the two roles with real presence, establishing Adam’s sniveling wimp and Anthony’s striding jerk as two believably discrete sides of the same coin.

Review: Prisoners

Possibly year’s most immaculate-looking drivel, a prismatically shot whodunit abundant in red herrings, but lacking in moral contemplation.