The film is at its most effective and engaging when simply capturing the vibrancy of a world onto its own.
The film is a celebration of oral traditions as a means of giving purpose to even the most hopeless of lives.
Denis’s oblique portrait of erotic angst receives a definitive transfer that demonstrates the full range of its poetic beauty.
For all its emotional restraint, Rick Alverson’s film builds to a point of remarkable pathos.
Dominique Rocher reinvigorates the zombie film only to succumb to the strictures of the coming-of-age romance.
Writer-director Denis Côté’s film offers an oxymoronic parable that’s been utilized countless times by cinema.
This is a desperately needed home-video upgrade that at last presents Leos Carax’s film in its correct aspect ratio.
Carax’s intoxicating examination of movie love nearly nets the beautiful transfer it deserves.
Thanks to Carlotta’s exceptional transfer, it’s easier than ever to appreciate the timelessness of Carax’s youth masterpiece.
For a life beyond mere DVD supplementary material, the film could use a dose of rigor to balance out its steady stream of congratulatory pit stops.
The film seizes on a particular element of intellectualized youthful ennui with uncommon clarity and ferocity.
Arnaud des Pallières unsettles the audience’s usual feelings of vicarious blood lust.
This isn’t the first time Tsai has chronicled the extraordinarily deliberate travels of this anonymous red-clothed spiritual figure.
The easiest way to find entry into the film is to accede to its reveries, to welcome and possibly celebrate its shifting tones and techniques.
Get your motors running. Death moves at 24 frames per second.
It certainly looks like Joaquin Phoenix is about to be snubbed for his work in The Master.
Under the mercurial surface lies a sorrowful heart.
Holy moly, what a setup!
Frances Ha feels like an unusually intimate, personal piece, a return to Noah Baumbach’s early, more naïvely optimistic phase.
The global economic maelstrom found a way to creep its way into the 47th edition of the festival—but only for a moment.