Cars, it’s often been observed, offer a sort of contradiction of motion: They allow us to move around while sitting still.
The story of Rosario Dawson’s discovery speaks to her enduringly cool credibility as an actress.
Tarantino is offering a peculiar form of thrills, for the most part; it’s not always exciting in quite the way one expects a Tarantino film to be exciting.
Ed, I am daunted. Let’s get that out of the way. This is the last subject I ever expected us to cover—Quentin Tarantino.
A landmark year for me as well as for the movies.
Let us consider Tarantino’s upbringing for a bit.
When one thinks of parody, one might immediately think of blitzkrieg spoofs like the Mel Brooks movie satires.
Ultimately, the broad question I would like to pose is: is Tarantino really a Jean-Luc Godard of the 1990s and today?
We’re entering into this conversation coming from antithetical perspectives.