Breaking Bad continues to fuss over small details and pick at new threads, even with the end looming.
Get ready to dig your fingernails into your palms all over again.
Breaking Bad is a complete work, one thought out long in advance and unfolding in its own time.
Prom is like high school in a way, asking audiences to take the good with the bad.
And you thought the silent Mexican hitmen were scary.
It’s an immersive and harrowing tale of moral decay and conflicted identity.
Chain reactions are the miniature explosions that drive most of the hard sciences, particularly chemistry.
Heroic qualities are infrequently associated with the name Walter, which is old-fashioned and lacks charisma and dynamism.
If there’s one thing I find a touch annoying about Breaking Bad, it’s that the show will occasionally lean on a too-easy symbol or two.
“Better Call Saul” is the kind of episode that made me get interested in television in the first place.
“Peekaboo” asks a question that’s been hovering around the periphery of the series since it began and asks it fairly directly.
There’s a lot going on in “Breakage,” even if the pace remains as deliberate as the rest of the season has.
Walt’s a man heading into uncertainty, and all the planning in the world isn’t going to change that.
One of the things that sets Breaking Bad apart from most other drama series at its level of quality is its scale.
One of the things that draws me to the medium of television is the way a series can show the process of doing something.