Sadly, Homeland can’t leave well enough alone and soon falls back on narrative shortcuts.
The episode’s triumph is the way it continues to observe the fallout of large political actions.
A chronicler of privilege and prep par excellence, Stillman was at the height of his powers when he made The Last Days of Disco.
Zenith shoots for the moon and accomplishes a lot of complexity with very little money or professionalism.
The film feels bound to the page, with a lot of compelling ideas about immigration and latter-day urban decay that are never given much dramatic shape.
Reunion’s plot is what Stephen King’s It would have been if you replaced Pennywise for the characters’ egos.
This shrill fashion industry satire by first-time director Michele Maher is as toothless as they come.
Curiously, submission suits Madonna well.