The book offers numerous alternative suggestions about the trends of critical reception in film/media culture.
Some of the entries are set in stone from edition to edition, and that’s fine in most cases.
Viewership is by nature bisexual.
We just came through a pretty tumultuous year for movies, and for the media and the entertainment industry in general.
An indispensible book, mixing surprising and original insights with the usual amount of bemused and sometimes flatulent Thomsonian pontificating.