Interview: J. Hoberman Talks Make My Day, Ronald Reagan, and ‘80s Movie Culture
Review: Vita & Virginia Leaves the Nuances of a Love Affair to the Imagination
Review: Ready or Not Ribs the One Percent with More Laughs than Horror
Review: Jawline Takes a Measured Look at Social Media Stardom
Review: Brittany Runs a Marathon Is a Moralizing Buzzkill of a Comedy
Review: Jay Som’s Anak Ko Embodies Bedroom Pop As an Emotional Travelogue
Review: Bon Iver’s i, i Battles Back Against the Dark
Review: Sleater-Kinney’s The Center Won’t Hold Represents a Band in Flux
Review: The Hold Steady’s Thrashing Thru the Passion Is a Satisfying Head-Scratcher
Review: Clairo’s Immunity Is a Starkly Vulnerable and Inviting Debut
Review: Remnant: From the Ashes Mistakes the New for the Noteworthy
Review: The Apocalyptic Roguelike RAD Is More Fun in Name Than in Action
Review: In Fire Emblem: Three Houses, Morality and Tactics Walk Hand in Hand
Review: Metal Wolf Chaos XD Plays Like a Vicious Indictment of Our Present
Review: Hamsterdam Frustratingly Throws Rhythm and Precision to the Winds
Review: On Becoming a God in Central Florida Is a Cultish Portrait of Capitalism
Review: Carnival Row Is a Haphazardly Stitched-Together Genre Pastiche
Review: Season Two of Succession Paints a Humanizing Portrait of the Billionaire Class
Review: The Righteous Gemstones Is an Uneven but Compelling Study of Faith
Review: The Terror: Infamy Excels as an Indictment of American Oppression
The 100 Best Sci-Fi Movies of All Time
Interview: Julius Onah and Kelvin Harrison Jr. Talk Luce’s Ambiguities
The National and the Global Intersect at the 2019 Jerusalem Film Festival
Interview: Rick Alverson on The Mountain and Challenging Narrative Convention
Watch the First Trailer for Martin Scorsese’s The Irishman
Disney’s Mulan Live-Action Remake, Starring Yifei Liu, Gets Teaser Trailer
Taylor Swift Drops Star-Studded, Pride-Themed “You Need to Calm Down” Video
Mykki Blanco Is a Trans Joan of Arc in Madonna’s “Dark Ballet” Video – Watch
James Gray’s Ad Astra, Starring Brad Pitt, Gets Official Trailer
Review: Fridrikh Ermler’s Fragment of an Empire on Flicker Alley Blu-ray
Review: Jane Campion’s An Angel at My Table on Criterion Blu-ray
Review: Jacques Becker’s Touchez Pas au Grisbi on Kino Lorber Blu-ray
Blu-ray Review: Alfred Sole’s Alice, Sweet Alice on Arrow Video
Blu-ray Review: Alan J. Pakula’s Klute on the Criterion Collection
Review: Moulin Rouge! Is a Great American Musical for the TikTok Generation
Interview: Kate Burton on Coriolanus in Central Park and Her Path to Success
Review: In Mojada, Immigration Is an Ill-Fitting Costume for a Modern-Day Medea
Review: Frankie and Johnny in the Clair de Lune Shines a Light on the Vagaries of Love
Interview: Terrence McNally on the Timeless Frankie and Johnny in the Clair de Lune
Interview: Paul Tremblay on Growing Things and the Hope of Horror Fiction
Review: Cari Mora Luridly and Bitingly Plumbs Man’s Capacity for Evil
Review: The Beatles Through a Glass Onion: Reconsidering the White Album
Review: Bret Easton Ellis Uses White to Explode Our Pretenses of Dignity
At first glance, the evidence tying Hitchcock to Jacques Audiard’s Read My Lips seems purely circumstantial.
Enter to win a Rocketman prizepack, DVDs of The Flash: Season 5 and Arrow: Season 7 and more
