Dan Clowes is experimenting with ways to not just listen to his characters’ inner monologues, but to look at how they remember and fantasize.
Breillat’s films tend to examine sex in close quarters, trapping their characters in situations where they’re forced to confront otherwise ignorable realities.
Murphy talks about what it’s like to work with PJ, turning the camera on his homeland, and his love of David Lynch.
The savvy filmgoer will target those films without distribution.
These are fundamentally directors’ films, but any discussion of them has to come back to the lead performances.
The Great Directors is at the very least a breezy bit of cinephiliac entertainment.
A sex-toy Pinocchio? Offenbach’s Olympia as an inflatable courtesan? If only.
I’m not sure how Mulholland Drive would look to me now that this decade is ending.
Wallace wrote for Premiere in the mid-to-late 1990s, about subjects as diverse as David Lynch, Terminator 2, and the Adult Video News Awards.
David Lynch is a filmmaker who has haunted my mind since the first moment I saw one of his films.
In David Lynch’s Dune, we have a pseudo-scientific articulation of the artist’s unique way of seeing the world, and of remaking it.
The theme of “the double” has exerted a complex and ambiguous fascination throughout the cultural history of the last century.
In many ways, Lost Highway finds David Lynch at his most daring, emotional, and personal.
We still await the definitive DVD release of Lost Highway, a film crying out for rediscovery.
A landmark year for me as well as for the movies.
Stop sawing logs, this is the definitive Twin Peaks DVD box set.
A documentary like Lynch seems about as close as we’re ever going to get to the director’s inner thoughts.
Inland Empire is another excuse for Lynch heads not to leave their house.
Watch the fuck out Rachael Ray, here comes Iron Chef David Lynch!
Some may complain that his work is too esoteric, but it’s unsettling, because it it’s more familiar than we’d like to admit.