The clip is largely taken up by a weird spider ballerina and shaky extreme close-ups of Reznor and creepy, spotlighted mouths.
Monstrosity, terror, and horror all correspond in some way to chaos in its old-fashioned sense and with chaos in its scientific sense.
The twisted minds at Lionsgate really outdid themselves with the poaster for What to Expect When You’re Expecting.
Check out which films feel shy of making our list of the greatest films of the 1990s.
We’ve gathered up 15 films with highly memorable phone calls, which run the gamut from disarming to terrifying.
Let’s just say that Carmen Maura, Jennifer Jones, and Bill Cosby have more in common than you might have thought.
The film is a bit unwieldy in scope and in danger of being made obsolete by the next version of the RED camera.
They’re also unassailable in their perfection, and could easily fall at the top of any all-time best list arrived at by consensus.
The highly subjective task of compiling a list of the 10 best films of all time is nearly as daunting as the thought that plagues every film completist.
There are simply too many amazing films—thousands, really—that could occupy every slot on this list just as confidently as the ones that are here.
Maya Deren’s passion for movement was so great that her friends remarked she could have been a dancer.
Two of the year’s most striking posters are made up of little more than mysterious ingenues and coolly apt text.
Dominik mines an altogether different vein, worlds apart from the mournful, meditative, Malickian The Assassination of Jesse James by the Coward Robert Ford.
Atlan’s black-and-white Mortem has been billed as a “metaphysical thriller” inspired by David Lynch and Ingmar Bergman.
So, apparently David Lynch has added film promotion to his post-Inland Empire activities.
Consider this the “feel bad” dispatch of AFI Fest 2011.
A terrific, finely-tuned presentation of a landmark American movie, complete with flaming nipples, minus cackling audience members.
Crazy Clown Time exists in a world that’s just as hermetically sealed as Tom Waits’s Bad As Me.
The Dream of Eleuteria is the sort of film that one expects to discover at the Viennale.
Szamanka drifts between horror and humor, and thus is not for everyone.