Criterion offers what should prove to be a definitive transfer of a pivotal and still overwhelmingly intimate David Lynch film.
Lynch's paintings are beautiful yet macabre, mysterious and rich in the tactility of the methods of their creation.
Shout! Factory outfits David Lynch’s worst film with a competent yet weirdly retro Blu-ray that squanders the possibilities of the medium.
The thorniest nostalgia trip in the history of television has been outfitted with a gorgeous and painstaking transfer.
Lynch’s misunderstood film receives a transformative restoration that brings its tarnished beauty to life.
Criterion emphasizes sensorial texture over context, with a sparse supplements package that leaves quite a bit to the imagination.
John Carroll Lynch’s Lucky is an impeccably acted yet sentimental film that’s bashful about said sentimentality.
The finale invites us to inquire into our own motives for wanting to revisit the series.
In the latest episode, David Lynch implicates his audience in Twin Peaks’s unfolding dream.
Lynch has always conjured up his disorienting and disturbing narratives according to an intuitive dream logic.
A damn good slice of cherry pie plays a pivotal role in several storylines from the latest episode.
Even apologists for deep-seated perversity will have a tough time justifying long stretches of the latest episode.
The episode divides its time between domestic drama, overarching mythology, and seriocomic pop surrealism.
As of the latest episode of Twin Peaks: The Return suggests, the darkness seems to be winning.
The episode’s frequent matched pairs and expository repetitions seem to draw attention to themselves.
The latest episode of Twin Peaks is a delirious descent into the murky matrix of material existence.
The episode uses David Lynch’s abiding preoccupation with mirror imagery as an often subtle structural device.
Many of the events in the latest episode of Twin Peaks seem to depend on the toss of a coin.
We might expect it to end on the performance, as each episode has until now, but Lynch throws us a curveball.
The episode’s emotional epicenter is Bobby Briggs, now white-haired and working as a deputy for the department.