These three films by Mai Zetterling are visually sumptuous and thematically trenchant.
Criterion’s release of Visions of Eight offers plenty of goodies not found in their 100 Years of Olympic Films box set.
The Girls is a confused feminist manifesto, but it’s at least never boring.
Check out George Cukor’s Les Girls instead.
Peace may lie at the end of an umbilical cord, but these women are more interesting as anguished bitches than nurturing mamas.
Loving Couples executes subversive surgery on oppressive social orders only to switch to the more comfy affirmation that the universe belongs to mothers.