This competent but disposable action thriller should appeal most to Friedkin enthusiasts.
The film’s prevalent achievement is that it places Tommy Lee Jones in a familiar context but finds a different character for him to play.
Don’t bother with this one unless you haven’t seen the same film repackaged as Bad Company and The Sum of all Fears.
Typical of Hollywood terrorist schlock, there are equal measures of spurious, paperback discourse and unique torture mechanisms.