The film deals forthrightly with the question of purpose and whether it can be found in a career.
This dreamy, playful, tender ode to having loved and lost instead of never loved at all finally gets the transfer that it deserves.
No American film since Zodiac has exhibited such a love for the way information travels than The Post.
"Maybe I don’t want to meet someone who shares my interests. I hate my interests." Steve Buscemi speaks for us all.
In the film’s best scenes, Jeff Grace displays a delicate understanding of various modes of male fragility.
The film evenly distributes its action in quick bursts of fluidly animated fight choreography.
Bobcat Goldthwait’s hand too nervously tempers Barry Crimmins’s outré tactics as kooky showmanship bred from unimaginable trauma.
Whatever your foreknowledge of low-budget Brooklyn dramedies, it’s impossible that Gillian Robespierre’s film won’t lob you at least a few curveballs.
The comedian-filmmakers broach the doc’s central subject with crass and offensive standup routines that wouldn’t be out of place on the Blue Collar Comedy Tour.
An overmatched star and a scarcity of eccentricity sink this hip-lit origin story from director John Krokidas.
Transformation is a major theme at the heart of the new season, and this looks and feels like a different show.
The film flirts with big ideas about adult relationships, but fails to locate any gravitas about its characters’ existential or psychological crises.
Maya Entertainment wants YOU to see It’s a Disaster, a new comedy releasing soon from the indie distributor.
This is “the Al Pacino Dunkin’ Donuts commercial in Jack and Jill” as an actual movie.
The writers of Modern Family are beginning to rely too heavily on stunt episodes and celebrity cameos.
Jennifer Yuh’s Kung Fu Panda 2 is an exquisite looking but substantially hollow sequel to the smash hit from 2008.
The film reveals itself to be smarter, funnier, and infinitely more sympathetic than Shrek.
The story is so paper-thin one surmises it was scrawled on soggy toilet paper somewhere.
This bibilical buddy comedy often makes you wish that 2001: A Space Odyssey’s dawn-of-man apes had never picked up that bone.
Kung Fu Panda is generally content to simply coast along on a few Zen platitudes and regularly scheduled Po pratfalls.