American Utopia feels as much like a balm as it is a surprisingly direct call to political action and social betterment.
Byrne’s affectionate comedy of funhouse Americana is one of the most ahead-of-its-time films of the 1980s.
American Utopia is the sound of one of pop’s idiosyncratic voices continuing to follow his wayward muse.
The Rosses share David Byrne’s interest in the minutiae of habitats and the comforting enclosure they provide.
Here’s a concert film that’s as fixated on backstage interactions as it is on the live performances themselves.
Burial’s Rival Dealer drops next week, but you can stream the three-track EP in advance.
Love This Giant has its share of promising elements, but as a collaborative project, it’s far less than the sum of its two parts.
Joe Berlinger’s Under African Skies is a positive breather after the heaviness of Paradise Lost 3: Purgatory.
Intruder is a visually inventive little-known latecomer to the slasher cycle.
Drive’s narrative trajectory goes down a long and winding road into hell.
Like The Flaming Lips, Andrew Bird’s a musical existentialist: Lyrics of doubt and worry against a reassuring musical backdrop.
This is a concert film with a narrative, bursting at the seams with bits of invention and passion.
This Blu-ray preserves the integrity and beauty of Demme’s film.
It sure looks like an awesome party I would’ve loved to been able to afford.
In some ways, “Damage Control” the season premiere of Big Love’s second season, is all about the aftermath.
For anyone unfamiliar with Robert Wilson’s work, Susan Sontag’s hyperbole may be a sign of what you’re in for.