The film mostly fails to make a convincing case for Aardman’s old-school artisanal approach.
Guillermo del Toro’s Pinocchio Review: Stop-Motion Breathes Spectacular Life into a Classic
The film is marked by wild flashes of invention, all born of painstaking craft and devotion.
The Netflix show’s linking of cruelty and emotional healing is dubious at best.
An era of the series has ended, but as always, Doctor Who continues moving right along.
Even after six seasons, Game of Thrones still doesn’t know what’s most important to its own story.
Ken Loach’s film is a critical turn away from kitchen-sink realism and toward a more improvised and unpredictable narrative style.
“Dinosaurs on a Spaceship” lets us know up front that this is going to be a “romp”—big, loud, and hopefully fun.
The politics of the schoolyard are more important than the politics of London in Kes.
Mike Leigh’s latest is a lovingly told but insufficiently nuanced story of four seasons.
This time, as opposed to all the other times, it’s personal.
The shortest Harry Potter film to date, Prisoner of Azkaban is noticeably slim in the extras department.
Kristian Levring’s follow-up to The King Is Alive again exploits the device of strangers in a strange land.
Here is a Harry Potter film where the filmmaker isn’t trying to fulfill a check-listed quota.
The features on this DVD feel as if they’ve been designed for the five and under crowd.
Kippers for breakfast, Aunt Helga? Is it St. Swithen’s Day already?