How do Lucio Fulci fans catalogue their favorites?
Even by the standards of the poliziotteschi, these films are truly gritty and wild.
Mario Bava’s film stretches the gap between lurid material and sophistication of execution to its breaking point.
Cannibal Apocalypse suggests that war isn’t just hell, it’s also contagious.
The House by the Cemetery remains prime real estate for horror film aficionados.
Blue Underground delivers Fulci’s film with a gorgeous HD transfer, terrific new bonus features, and a CD of Fabio Frizzi’s glorious score.
Demons 2 trades in its predecessor’s penchant for wall-to-wall gore in favor of surreal shocks and quasi-Cronenbergian craziness.
Some extras would be nice, particularly considering the legends who had their hands in this vibrantly cynical rock horror film.
This is Prime real estate for the horror film aficionado.
Fulci’s zombies have a nasty habit of disappearing right when you sort of wish they’d stay a while.
It fails to summon from them the magisterial dignity one expects from the finer NYC vomitoriums.
The New York Ripper took all the fun out of New York City’s photogenic death throes.
A literally eye-popping experience, and worth experiencing for its infamous tarantula sequence alone.
Cat O’ Nine Tails begins Argento’s lifelong fascination with the grotesque close-up.