Review: Churchill

The film simplifies Winston Churchill’s legacy for the dubious purposes of narrative momentum and emotional lift.

Review: Criminal

Criminal’s absence of style, the lack of relish the filmmakers take in the material’s inherent ludicrousness, is a failure of conviction.

Review: Locke

The literalizing of Ivan Locke’s hidden self and his inability to master it ultimately exposes the film as the squarest kind of theater: drama therapy.

Review: Alien³

Not only is Ripley personality-free (is the character jaded or is Sigourney Weaver simply bored?), so is the alien.