Michael Douglas’s star turn in the sour dramedy Solitary Man heralds the return of that era’s skeeviest big-screen persona.
When in Rome’s finest moment winds up involving the frame going intentionally black.
That each of the principal characters has been fully drawn over the course of the show’s run gives context to even the most absurd story.
Guest of Cindy Sherman is a fascinatingly flawed and balloon-headed study of an unlikely encounter with greatness.
The film operates under the wretchedly false assumption that it can cover up its derivativeness with flashy sound and fury.
The film remains one of the best neo-noirs of the ’90s and a fine example of classical Hollywood storytelling.
Curtis Hanson’s film is a throwback in nearly every way: in setting, in style, in performance, in storytelling..
Fans of a cult show like It’s Always Sunny in Philadelphia deserve more robust extras than what’s offered here.
There’s no evading the gracelessness of Good Night.
Producer Bob Yari returns to the Crash well with Even Money and comes up with a turgid PSA about the dangers of gambling.
Nothing says Christmas quite like incompetent slapstick, saccharine sermonizing, and cavernous cleavage.
In its first frame, Romancing the Stone announces that it is a “Michael Douglas Production.” That’s for sure.
His name is Jack T. Colton. What's the “T” stand for? “Trustworthy”
The macho bluster taken seriously in the gorgeous but uninterestingly pumped-up The Untouchables is here intriguingly skewered.
The whole thing has the dreary feeling of a bottom-of-the-barrel, clammy ’70s sex comedy.
This bumbling exercise in redundant replication is as disagreeably lukewarm as a heavily trafficked municipal baby pool.
Burton fans will be delighted by the excellent commentary-slash-chat-session between the director and mystery interviewer.
Duplex gets the top-notch audio/video treatment, but supplemental materials are on the embarrassing side.
Big Fish is a cosmic gallery of gothic inventions and magical wish fulfillments.
Anything Else is just plain desperate.