The climax has a certain primally cathartic power, but it doesn’t quite dispel the air of self-satisfaction that envelops the script.
Cary Joji Fukunaga’s film inadvertently confirms that Bond is best when the simpler, more savage pleasures prevail.
Rian Johnson’s film revives the comic whodunit, a la Clue, for an era of especially heightened class consciousness.
Soderbergh’s bracingly playful return to cinema is accorded a stunning transfer and little else, though the film itself is more than enough.
Steven Soderbergh’s Logan Lucky is an ensemble comedy that’s simultaneously effervescent and cerebral.
A beautiful presentation of a film that merges the tropes of the 007 series with a startlingly expressive aesthetic.
The sentiment of what Daniel Craig is saying is healthy and should become the norm for actor interviews.
There’s much to admire here, from its symbolically sickly aesthetic to its clearly shot action sequences.
Subtlety isn’t a quality that dignifies the nominees in this category.
The technical mastery of filming wildlife is on full display in the BBC’s latest nature docu-dazzler.
American Animal’s poster, like the film, finds common ground between the high- and lowbrow, the artful and the infantile.
Was it fate that John Hurt provided the narration for Ben Whishaw’s 2006 breakout, Perfume?
James Bond’s 23rd canon outing is burdened with the weight of 50 years of history.
If you’re a seasoned fan, or even looking to dig into the series for the first time, Bond 50 is an essential package.
Fincher’s reputation as the best modern American director is further reinforced by this disc.
The film utilizes revolutionary technology and animation for an ostensible nostalgia trip, which has little bearing on this exemplary transfer.
A Best Actress nomination for Mara doesn’t seem likely, either, even with the Golden Globe nod and handful of critics’ honors she’s got under her studded belt.
This is really nothing more than the story of girls running to and from their daddies, and no matter how you dress it up, it’s inherently retrograde.
Steven Spielberg’s The Adventures of Tintin is a wittily kineticized adaptation of the internationally loved comic books.
This new poster adds polish to the aura of a film whose every update has demanded attention.