On Prey//IV, the former Crystal Castles singer continues to pursue healing through cathartic fantasies of violence.
Formal rigor, not raw originality, is the guiding force behind Crystal Castle’s Amnesty (I).
III is an album of earnest, expansive electronica from a duo few are expecting such sincerity from.
Go figure Crystal Castles would regard syncopation as something in need of lancing.
The differences in Crystal Castles II are subtle, but the key advance made is one of generosity.
I love this stuff and Spilt Milk is some kind of genius missing link.
There are only a few different types of songs on Crystal Castles’s intermittently exciting self-titled debut.
Honestly, I’m not really sure how it’s possible that South by Southwest exists.