Review: Abominable Is Both Poignant Tale of Grief and Commodity Fetish
Review: First Love Is a Well-Oiled Genre Machine, As Bloody As It Is Haunting
Review: Rambo: Last Blood Wears Its Muddled Ethos Like a Purple Heart
The Films of Pedro Almodóvar Ranked
Review: James Gray’s Ad Astra Is a Deeply Felt Existential Space Odyssey
Review: Tool’s Prog-Rock Tendencies Reach Their Zenith on Fear Inoculum
Review: Chastity Belt Creates a Space of Their Own On Their Self-Titled Fourth Album
Review: The New Pornographers’s In the Morse Code of Brake Lights
Review: Charli XCX Charts Her Own Path Forward with Charli
Review: Pixies’s Beneath the Eyrie Too Often Sounds Like Other Artists
Review: Borderlands 3 Is a First-Person Shooter with No Point of View
Review: Daemon X Machina Takes the Exhilaration Out of Piloting a Mech
Review: With Gears 5, the Quintessential Dudebro Shooter Series Grows Up
Review: Telling Lies, for Better and Worse, Lets You Choose Your Own Interpretation
Review: Ancestors: The Humankind Odyssey Shows Players an Obtuse Age
Review: Bless the Harts’s First Episode Is a Madcap, If Uneven, Introduction
Review: Shudder’s Creepshow Anthology Series Does Its Pulpy Namesake Proud
Review: Undone Is a Rich, Complicated Character Piece About Mental Illness
Review: The Deuce’s Final Season Prioritizes Anthropology Over Character
Review: Unbelievable Is a Wikipedia Article Dressed Up As a TV Show
New York Film Festival 2019
Interview: Rob Zombie on 3 from Hell, Manson, and the Charisma of Evil
The Best Stephen King Movies, Ranked
Locarno Film Festival 2019: Technoboss, Echo, & A Voluntary Year
Watch the First Trailer for Martin Scorsese’s The Irishman
Disney’s Mulan Live-Action Remake, Starring Yifei Liu, Gets Teaser Trailer
Taylor Swift Drops Star-Studded, Pride-Themed “You Need to Calm Down” Video
Mykki Blanco Is a Trans Joan of Arc in Madonna’s “Dark Ballet” Video – Watch
James Gray’s Ad Astra, Starring Brad Pitt, Gets Official Trailer
Review: Rainer Werner Fassbinder’s The BRD Trilogy on Criterion Blu-ray
Blu-ray Review: Aldo Lado’s Who Saw Her Die? on Arrow Video
Review: Yasujirô Ozu’s The Flavor of Green Tea Over Rice on Criterion Blu-ray
Blu-ray Review: A Film Trilogy by Ingmar Bergman on the Criterion Collection
Blu-ray Review: Marco Bellocchio’s Fists in the Pocket on the Criterion Collection
Review: American Moor Richly Illuminates the Experience of Acting While Black
Review: The Actors Are the Thing in Betrayal, the Stage-Craft Not So Much
Review: Hercules Wrestles More with Heroism Than with Female Liberation
Review: Moulin Rouge! Is a Great American Musical for the TikTok Generation
Interview: Kate Burton on Coriolanus in Central Park and Her Path to Success
With The Institute, Stephen King Channels Political Outrage into Familiar Horror
With Year of the Monkey, Patti Smith Spins Dreams Into Topsy-Turvy Words
Anatomy of an American Family and National Memory: Nell Zink’s Doxology
Debating at the End of History: Ben Lerner’s The Topeka School
Interview: J. Hoberman Talks Make My Day, Reagan, and ‘80s Movie Culture
Roger Weisberg’s Critical Condition offers a salutary lesson in the difference in viewer response between the fiction and the nonfiction film.
Enter to win Blu-rays of Yesterday and Aladdin, DVDs of Bottom of the 9th, and more
