Mungiu discusses how he executed R.M.N.’s centerpiece sequence and more.
Cristian Mungiu’s film reveals an unforgiving cynicism about the world as its social-realist strains become increasingly apparent.
The film fiercely reminds us that without investigative reporting there’s no democracy.
A strong audio-visual transfer makes the long-awaited arrival of Cristian Mungiu’s Palme d’Or winner to Blu-ray well worth the wait.
The ambition of Cristian Mungiu’s follow-up to his Palme d’Or-winning 4 Months, 3 Weeks and 2 Days will not be denied.
Cristian Mungiu’s film is more than just a cry of despair toward the hopelessness of life in modern-day Romania.
It’s Cristian Mungiu’s staging and compositional skill that lends the material its true sense of dawning dread.
The slender facts in this particular case can’t even begin to withstand the mammoth weight of a 150-minute running time.
Has the so-called Romanian New Wave slowed to a trickle?
The film is a compilation of deadpan vignettes about Romanian life under Ceausescu’s authoritarian ’80s rule.
Cristian Mungiu is the future, if your eyes will but listen.
This awards season may be the year of knocked-up chicks and orange tic-tacs.
It’s easy to see why so many are impressed by Cristian Mungiu’s much-lauded Cannes prizewinner.
Masters of horror should marvel at Cristian Mungiu’s canny deployment of red herrings
The 60th edition of the Cannes Film Festival has come to a close.