The novel suggests a print fusion of the filmmaker’s early, grungy, bluntly metaphorical work with the subtler, formally refined, classical elder-statesman films of his most recent period.
At this stage, the alternately thrilling and unwieldy three-hour epic is the season’s closest thing to a wild card.
I’m totally willing to admit, at the outset, the possibility that any of my favorite 10 below may decline in estimation over time.
Marcus literalizes the intense pain language can cause on both intimate and global scales.
Szamanka drifts between horror and humor, and thus is not for everyone.
Angelo Cianci’s farce takes the wrong things seriously and pokes fun of nothing worth laughing at.
In David Cronenberg’s Crash we are given a collection of characters with often overlapping but not always similar sexual fetishes.
Understanding Screenwriting #9: Rachel Getting Married, Body of Lies, How I Met Your Mother, & More
I was so busy trying to find Anne Hathaway’s face in the frame that I missed the emotion she was expressing.
Mismatched plots, mixed motivations, dogs and cats living together…mass hysteria!
Cheshire was open to discussing how the changing times broadened his interests in film and filmmaking.
Ridley Scott’s Gladiator aspires to be Spartacus by way of The Godfather.
The Oscar telecast was generally well paced and well judged.
Amazingly, this movie has been embraced by some of the country’s most prominent critics.