For the theatergoer, the Shaw Festival offers the increasingly rare opportunity of seeing a large repertory acting company at work.
In the end, the film is only of interest for members of the Campbell Scott Honorary Gay Man Society.
There’s something oddly compelling, albeit pretentious, about the film’s rudimentary visual argot.
The film is a blizzard of personal reminisces and internal epiphanies amid obvious touchstones.
The Bush years have now given After Stonewall its sense of urgency.
Rudolph’s most accessible film in years is anchored by incredible performances by Campbell Scott and Hope Davis.
Alan Rudolph treats everyday suburban anxieties with great empathy, not cynicism.