An unsettling psychological freak-out that takes cinema and the senses to its farthest extremes.
Peter Strickland understands the most terrifying subtext of any horror movie and brings it brilliantly to the forefront.
The real world, or at least the attempt to transmit some finite aspect of it, has been the aim of many a film.
A low-grade Dario Argento film gets the red-carpet treatment from Anchor Bay.
Dario Argento’s hang-ups with sight and sightlessness are moral barometers of our disconnect from the world.