Japan Cuts 2019: Demolition Girl, And Your Bird Can Sing, & Being Natural
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Decoding Madonna’s Disturbing “God Control” Video
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Review: Judgment, Though Too Reticent, Is a Worthy Yakuza Spin-Off
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Review: The Boys Is a Bleakly Cynical Take on the Superhero Genre
Review: Season Three of GLOW Offers a Multifaceted Vision of the ‘80s
Review: Season Three of Harlots Retains the Show’s Campy Flourishes
Review: The Loudest Voice Is Confirmation Bias as Liberal Bedtime Story
Review: Legion’s Unhinged Final Season Plunges Us into an Unknowable Mind
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Interview: Lynn Shelton on Honing Her Process for Sword of Trust
Interview: Paul Tremblay on Growing Things and the Hope of Horror Fiction
Disney’s Mulan Live-Action Remake, Starring Yifei Liu, Gets Teaser Trailer
Taylor Swift Drops Star-Studded, Pride-Themed “You Need to Calm Down” Video
Mykki Blanco Is a Trans Joan of Arc in Madonna’s “Dark Ballet” Video – Watch
James Gray’s Ad Astra, Starring Brad Pitt, Gets Official Trailer
Terminator: Dark Fate Official Trailer: Going Back to the Well with Sarah Connor
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Blu-ray Review: Agnieszka Holland’s Europa Europa on the Criterion Collection
Blu-ray Review: Bruno Dumont’s L’Humanité on the Criterion Collection
Review: Andrew Bujalski’s Mutual Appreciation on Arbelos Films Blu-ray
Review: Jean-Luc Godard’s Alphaville on Kino Lorber Blu-ray
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Review: Frankie and Johnny in the Clair de Lune Shines a Light on the Vagaries of Love
Interview: Terrence McNally on the Timeless Frankie and Johnny in the Clair de Lune
2019 Tony Nominations: Hadestown and Ain’t Too Proud Lead Field
Review: Cari Mora Luridly and Bitingly Plumbs Man’s Capacity for Evil
Review: The Beatles Through a Glass Onion: Reconsidering the White Album
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Review: David Bordwell’s Reinventing Hollywood & W.K. Stratton’s The Wild Bunch
The film isn’t the prototypical feminist classic chronicling a woman’s journey from submissiveness to assertiveness.
It serves as a reminder that even the most cunning, ruthlessly intellectual filmmakers can also create wondrous playgrounds.
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