The idle one-thing-after-another-ness of Mandibles is evocative, disturbing, and moving.
In Deerskin, Quentin Dupieux mines the absurdism that is his signature with newfound forcefulness.
Custody captures the innate perversion of violence, dramatizing an annihilation of social stability.
Robin Campillo’s film is at its most intimate when observing the exchange of war stories.