Throughout, the songs unravel into convoluted tangles of disembodied voices, discordant jazz piano, and droning synths.
Pusha T’s stubborn reliance on maintaining his brand on My Name Is My Name is probably not the wisest strategy in today’s shifting hip-hop climate.
Clipse seemed much more comfortable on Road, nesting inside the work of others.
Indie 500: Neon Neon, David Byrne & Brian Eno, T.I., Los Campesinos!, Clipse, and Radiohead
by Vadim Rizov
Like the music it emulates, Neon Neon is both disposable and surprisingly durable.
Honestly, I’m not really sure how it’s possible that South by Southwest exists.
As soon as I can, I’m going to stop using “indie” as a modifier ever again.