This fiery piece of pulp shrapnel receives a beautifully ugly transfer, along with a handful of negligible supplements.
Brawl in Cell Block 99’s economy of storytelling is as efficiently brutal as the eventual skull-crackings.
Paul Gross situates the film’s events somewhere between violent, militaristic fantasy and gentler, anti-war lament.
The Walking Dead remains a frustrating mixed bag of intense highs and melodramatic lows.
The discussion was entitled “The Making of The Wire,” and much of the evening was spent relaying behind-the-scenes trivia.
The Wire has never reduced its stories to a soundbite and this season is no different.
It’s not surprising that deducing the mysterious bad guy’s identity is as easy as spotting which actor seems most bored.
The final farewell to a television masterpiece.
Season six of Homicide suggests God is watching us.
The best crime show out there, deserving of any and all hype.
Miranda #4: You have the right to own Homicide: Season 5.
A sign of the times: S.W.A.T. opens with an aerial shot of the Hollywood sign before quickly descending into white-noise chaos.