From Madonna to Nirvana to Beyoncé, we picked our favorite MTV VMA performances.
We’re taking a look back at the song the Queen of Pop has perpetually made shiny and new.
Liberation is largely freed from the bombast that has marred Christina Aguilera’s past releases.
Co-produced by Kanye West, “Accelerate” is propelled by perpetually shifting beats and a rumbling electro bassline.
In Zoe, you see the honeymoon phase but not the emotional intimacy that makes a relationship last.
The vocal coupling is less than ideal given that Gaga’s voice on the track is so reminiscent of Aguilera’s in the first place.
Lady Gaga lashes out at her critics on “Do What U Want,” a newly released teaser single from her upcoming album Artpop.
By virtue of the fact that Lotus is Aguilera’s shortest album since her debut, it boasts fewer obvious standouts, but also less filler.
It would seem that Christina Aguilera’s regard for retrograde musical forms spills over into her taste in films.
Excepting the Diane Warren-penned ballad obligatorily tossed to Cher, the Burlesque soundtrack is knowingly antiquated.
On the surface, Bionic is as efficient a pop entertainment as was Circus.
Christina Aguilera deserves credit for refusing to play it safe.
Luckily, “Candyman” delivers the best video from Back to Basics so far.
Everything she’s done post-“Genie in a Bottle” has been advertising for the new-and-improved Christina Aguilera brand.
The cover of Christina’s upcoming double-album speaks to me.
Herbie Hancock’s political musings seem mostly out of place in a film that, in essence, is little more than a glorified EPK.
It seems former Mousekateer Christina Aguilera has finally popped right out of her bottle.