Review: Vice

Vice is as noisy as the media landscape that writer-director Adam McKay holds in contempt.

Review: Hostiles

Scott Cooper’s film moves at a funereal pace, implicitly celebrating its sluggishness as a mark of integrity.

Review: The Big Short

The film’s fourth-wall-breaking wags a finger at the perceived facile nature of celebrity-driven mass culture even as it ultimately condescends to audiences.

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