The film’s cramped compositions hauntingly underline the claustrophobic nature of its protagonist’s life.
The show’s third and final season struggles to consistently build gripping stories for its vivid characters to inhabit.
Zwick uses a popular artistic mode to stake out a moral and political stance that, if not radical, is at least forceful.
The pimps are the first to face eradication by the proliferation of porn and brothels.
The latest episode of The Deuce is in many ways the most pessimistic hour of the series so far.
Pasts, presents, and futures are illustrated simultaneously, all balanced on the razor’s edge of Times Square.
The episode eerily and effectively depicts how stories can be orchestrated and flipped on a dime.
A jump scare isn’t just a jump scare in the films of Scott Derrickson, which isn’t to say this wannabe master of horror has entirely perfected the art of sudden dread.
Juno Temple’s Lily is a damaged creature trying to fly in Little Birds, a film of precious, romanticized misery and squalor.