Criterion outfits Charles Burnett’s piercingly lovely masterwork with an appropriately gorgeous, almost diaphanous transfer.
Charles Burnett bridges theatrical dialogue, portentous omens, and presentational acting with masterful grace.
Essential viewing, if not only for its edutainment factor, but for the dynamism and felt resonance of its maker’s bounding enthusiasms.
There’s something very American about the belief that freedom can only be achieved through blood and Charles Burnett does not shy away from this.
A landmark year for me as well as for the movies.
A glaring gap in film history has now been filled with the long-awaited release of the film on home video.
Who would deny that the revival of Charles Burnett’s career has been the major film event of the year?
If Pierce’s unvoiced rage is the heartache of black America, her hope is its spirit.
The Glass Shield doesn’t claim its scenario is applicable in every test case.
Not every lesson is composed of what you want to hear.
What distinguishes Killer of Sheep from films like Clockers is its absence of malice.