Below is an exclusive clip from the Camera d’Or winner, accompanied by a recollection of its making from producer Jorge Forero.
Landscape seems to push the film’s characters away at the same time that it anchors them into place.
Justin Kurzel’s Macbeth is most compelling when advancing its familiar plot through associative editing.
It crafts its meandering, unobtrusively utopian worldview in such all-enveloping fashion that it feels almost incongruous once actual violence does rear its head.