The album feels like it exists in a world separate to our own, but the emotions it evokes are unmistakably human.
While Cat Power’s vulnerability here lends itself to melancholy, it’s also triumphant and resolute.
Amy Berg grounds us so effectively in Joplin’s emotional realm as to partially rekindle the social transcendence that her voice must have represented for its owner.
Beach House, Cat Power, the Lumineers, Portugal. The Man, & the Tallest Man on Earth.
The sonic alterations Marshall has made on Sun are widely apparent from the get-go.
It’s hard to pinpoint exactly why Days of Being Wild doesn’t quite move me like Wong’s other films.
Due to semi-popular demand, we’ve decided to post #101—250 of both our Best of the Aughts: Albums and Best of the Aughts: Singles lists.
Vampire Weekend has Death Cab for Cutie’s cross-over potential while actually deserving it.
The album’s pleasures stand as something warmly new from a major talent.
Sunday evening proved that the fest has some cajones underneath all that tie-dye.
The Greatest feels like a late-night walk down the loneliest street in the world.
The film is an atmospheric investigation into the surreal, artistically inspirational mixture of religiosity and criminality that hangs like a pall over the rural communities of the country’s lower half.