On the occasion of Elemental’s release, here’s our ranking of every Pixar feature to date.
Klay Hall’s Cars spinoff feels second-rate in every sense, from the quality of its animation to its C-list voice cast.
Tati and Godard would undoubtedly be amused with the August traffic jam Hollywood has made for itself.
The robbers in The Bling Ring aren’t the professionals scripted by John Huston, W.R. Burnett, and Ben Maddow in The Asphalt Jungle
When two movies open a window onto the same little slice of life, it can change the way you experience both.
From the beginning, the anxiety of the loss of family has been central to Pixar.
One of Pixar’s greatest accomplishments is that their movies are more than just terrific mass entertainments.
The physical boundaries of Red’s Dream and Knick Knack would be transformed into a more metaphysical form for Toy Story.
Is WALL-E better than you expected, a notable Pixar achievement, or is it just more of the same?
It’s not the computer itself which makes Pixar’s films good.
Pixar has somehow gone from a well-liked animation studio to the last, best hope of the Hollywood studio system.
Sure, the last time the majority of nominations in this category belonged to a single film, said film actually won.
The only time a Pixar film has lost in this category was the only time one deserved to win.
We are in a golden age of computer-generated animation.
The film’s soundtrack is as ephemeral as the exhaust from Lightning McQueen’s tailpipe.
Whereas the film’s artistry is often awe-inspiring, its dawdling, unfunny 116-minute story stalls at nearly every turn.