Never has the green felt on poker tables suggested such a world unto itself.
Frankenheimer’s beautifully mounted and intelligent film gets a nifty A/V boost from Kino.
Kino has outfitted the thriller with a beautiful transfer and a notable new commentary track.
The supplements may not be new, but they’re still meaty, and the 4K restoration accentuates the brutal, beautiful punch of an essential noir.
Aldrich’s underrated, challenging, and brutally violent 1972 western has been outfitted with a superb audio commentary.
Forsyth’s whimsical but satirical masterpiece contains riches far deeper than its deceptively simple surface might suggest.
Kino’s vibrant transfer breathes new life into Lewis Allen’s wonderfully strange, sexually charged Technicolor noir.
Criterion’s beautiful assemblage of all things Killers-related remains a vital packaging of several flawed, intense, historically notable noirs.
This is anything but a paint-by-numbers revisioning of the United States’s exploitation of Naples during post-WWII liberation efforts.
William Dieterle’s forgettable, generically stylish attempt at cashing in on the success of Casablanca nets a good transfer.
Blossoming cinephiles are advised to acquaint themselves with this poignant exploration of privileged American ennui.
They’re also unassailable in their perfection, and could easily fall at the top of any all-time best list arrived at by consensus.
Luchino Visconti’s The Leopard is quite simply the most lavish historical epic ever captured on celluloid.
This three-disc set of 1900 is significant for presenting Bertolucci’s most epic epic in its most complete form.
Visconti’s penultimate work makes its Region 1 digital debut, finally restoring the film's original aspect ratio via an authentic, uncompromised transfer.
The past is being borne ceaselessly into the future in Luchino Visconti’s The Leopard.
Hyperbole doesn’t come close to describing the importance and beauty of Criterion’s essential Blu-ray release.
Luchino Visconti’s The Leopard is more than a tad too pleased by its own spots.
Do not go gentle into that night, Don Visconti. Rage, rage against the dying of the "Lights, camera, action!" era.
A robust overview of Frankenheimer’s most vital years, despite the recycled extras.