See below for a list of the films that just missed making it onto our list of the best films of 2018, followed by our contributors’ individual ballots.
Hopefully the arguments against Capernaum from the more discerning jury members will be strong enough to keep Nadine Labaki’s film from taking the Palme d’Or.
It feels like Lee Chang-dong’s most reflexive comment on the dramatic possibilities of his favored narrative form.
Even when The Whale wanders into heavily fished waters, it still comes up with fresh revelations and bracing truths.