The album is expertly crafted, but a rougher hewn approach would have better honored its source material.
We look back at some of the music inspired by the crisis that (eventually) galvanized a generation into action.
The album has all the familiar hallmarks of the E Street Band’s signature sound.
Luckily for Tom Kitt, he was in his dorm room when opportunity knocked.
High Hopes covers a fair bit of ground while remaining generally consistent in quality.
This joyous doc leaves us wanting to immediately seek out the incredible, sometimes unfamiliar music we’ve just heard.
Starting tomorrow, we will predict the winners in all four general field categories of the 55th Annual Grammy Awards.
Music is chaos, in the sense that it’s usually ruled by random chance rather than any distinct system.
In determining exactly what went wrong here, it’s useful to compare Wrecking Ball with Neil Young’s Living with War.
Relative to the other woodwinds, the saxophone is pretty damn cool.
My iPod Shuffle is a few years old and, by today’s standards, a relic.
Working on a Dream is a toothless album whose fascination with good vibes leaves it feeling soft and expressionless.
I’ll grant you that Magic is uneven, but I cannot admit that it is anything other than constantly captivating.
David Chase knows that the sensuality of pop music and movies and the guilt of pretending to be a good Catholic boy are forever tangled up.
For fans of Bruce Springsteen’s E Street Band heyday, the boss’s new album, The Rising, should turn out to be an American treasure.