Star Wars: Visions refreshes the Star Wars universe with an eclectic range of styles and tones and a subversive streak.
Out of the Shadows approximates the coked-up frenzy of a particularly chaotic Saturday-morning cartoon.
It can’t tell whether it wants to be junk food or not, lovingly poking fun at some Hollywood tropes while shamelessly indulging others.
This may be the year’s best superhero movie because, for a sufficient amount of time, it doesn’t feel like one at all.
Nothing screams hackneyed repurposing like using a Nietzschean citation as preface to very non-Nietzschean drivel.
Similar to its two predecessors in melodrama and gloss, the film follows in its own tradition of quality.