Lin Oeding’s film thrives on both the beauty of its natural, snowbound surroundings and the brutal instincts of man.
American Animal, like The Color Wheel, is the product of a generation that’s probably seen more movies than any other.
Citizen Gangster’s commentary on our fascination with law-breakers is virtually nonexistent.
The film exudes the confidence of an artist willing to risk driving its audience up a wall in order to realize a defiantly unique personal vision.
This two-disc set is sure to keep Gilliam’s few Tideland fans buzzing for some time.
Masters of Horror wraps up its second season the way it originally planned to close its first: with an English-language entry from Japan.
Its out-there excessiveness eventually conveys not the resilience of youthful imaginations but, rather, the limits of unchecked auteurism.